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田曦薇,张凌赫,任豪,孔雪儿,邓凯,李卿,喻钟黎,刘琳,严屹宽,岳旸,杜淳,谭凯,毛林林,叶祖新,于洋,李建义,田丽,寇占文,付淼,卢勇,苑冉,王九胜,高卿尘,贾妮,金珈,林沐然,林思意,何昶希,高上淇,李殿尊,管云鹏,管梓净,张舒沦,李昱唯,向夏,韩浩天,王亭文,曹晏宁,吴佳峻,杨贺文
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张若瑜,李欣,程玉珠,杜晴晴,虞晓旭,于凯隆,高嗣航,张恒,王宇航,刘宇轩,唐昊
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今井龙太郎,堀口真帆,三岛健太,小贯莉奈,八木美树,川平慈英,古川雄辉
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孟非
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矶村勇斗,北村优衣,宇野祥平,每熊克哉,山本直树
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布莱恩·科兰斯顿,亚伦·保尔,安娜·冈,迪恩·诺里斯,贝琪·勃兰特,RJ·米特
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林瑞阳,萧蔷,岳翎,施羽,艾伟
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马贯东,张曦雯,陈滢,罗毓仪,黄子恒,邵美琪,黄子雄,杜燕歌,关礼杰,李海铜,张武孝,白彪,韦家雄,涂毓麟,关曜儁,吴子冲,钟柔美,刘展霆,潘芳芳,邓永健,邬嘉骏,梁荺苓,庄易羚,姚宏远,刘嘉琪,林浩文,王致迪,洪曼芹,叶凯茵,彭怀安,潘志文,李家鼎,王绮琴,苏恩磁,周百恩,谢采芝,林夕童
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布莱恩·科兰斯顿,亚伦·保尔,安娜·冈,吉安卡罗·埃斯波西托,迪恩·诺里斯,贝琪·勃兰特,大卫·科斯塔贝尔
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谭松韵,董晴,奚望,高至霆,王劲松,刘威,石云鹏,赵志伟,王千果,边程,曲哲明,任帅,郭鹏,戴向宇,童蕾,胡小庭,徐筠,马德钟,赵亮,黄璐,刘园媛,卢琳,姜馥颐,马亮,朱铁
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白宇,周雨彤,朱亚文,俞灏明,董勇,倪大红,保剑锋,郝平,蒋恺,尤勇智,张晓晨,刘畅,梅婷,于洋,张帆,吴昊宸,薛佳凝,海一天,赵子琪,尤靖茹,魏千翔,朱嘉琦,任宥纶,牛超,田雷,赫子铭,贾宏伟
Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.