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全31集
倪妮,闫妮,刘雅瑟,刘敏涛,保剑锋,董洁,王圣迪,韩昊霖,娜一,郑昊森,沈琳珺,周游,屈菁菁,张隽溢,张翔,刘珂君,余梦寒,李圣佳,姜超,侯岩松,施予斐,李晓川,杨一威,艾丽娅,王洛勇,管云鹏,宿宇杰
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全40集
田曦薇,张凌赫,任豪,孔雪儿,邓凯,李卿,喻钟黎,刘琳,严屹宽,岳旸,杜淳,谭凯,毛林林,叶祖新,于洋,李建义,田丽,寇占文,付淼,卢勇,苑冉,王九胜,高卿尘,贾妮,金珈,林沐然,林思意,何昶希,高上淇,李殿尊,管云鹏,管梓净,张舒沦,李昱唯,向夏,韩浩天,王亭文,曹晏宁,吴佳峻,杨贺文
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更新至第21集
佘诗曼,谭耀文,陈炜,周嘉洛,许绍雄,马贯东,蒋祖曼,戴祖仪,文颂娴
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更新至12集
迪丽热巴,陈飞宇,魏哲鸣,张俪,高鹤元,杨肸子,陈楚河,赵弈钦,古子成,丁嘉文,阎必果,徐滨,尤宪超,梁大维,邵伟桐,胡亦瑶,安悦溪,张晓晨,邓莎,何中华,傅铂涵,徐崴罗,黄振宇,屠芷莹,修庆,陈创,陆妍淇,吕鑫,矫昊,刘昱晗,程涛,萧李臻瑱,宋庆,程诚,贺刚,汪融,言杰,邢岷山,陈莹,徐嘉希,李洛伊,徐子恩,张跃滨,贺镪,苗皓钧,吴逸伽,徐沐婵,张洪鸣,朱近桐,许榕真,龚婉怡,姜来,曹赛亚,朱宏,漆培鑫,杨子骅,宗峰岩,周婧,周沛宸,李成加,李媛菁,徐泠若,廖茉汐,李芊乐,吴欣洲,孙立彬,杨帆,佟瑞,白
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更新至11集
百合本花,五十嵐勇太,モモスケ,春乃いろは
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更新至76集
张若瑜,李欣,程玉珠,杜晴晴,虞晓旭,于凯隆,高嗣航,张恒,王宇航,刘宇轩,唐昊
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更新至20260328期
孟非
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更新至30集
周也,翟潇闻,董璇,王冠逸,赵达,涂凌,蒋易,郑伟,林潇,樊霖锋,归亚蕾,张铎,斓曦,姜梓新,赵圆瑗,张双利,翁虹,吴岱融,舒耀瑄,苇青,艾东,胡小庭,李晓川,郭军,刘敏,杨明娜,王艺禅,节冰,王建新,郑奇
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更新至134集
内详
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已完结
塔萨彭·维瓦隆,朋拉维·凯普拉帕功,塔克利特·柴乌特,Jay Dangpan Thomsen,罗杰尔·阿奇拉维特·苏帕威塔尔,塔纳塔特·库纳内克辛,查隆拉·诺山荣,塔那瓦·乌泰齐晚尼,Intanont,艾莱克斯·桑德尔·杜·马诺洛,Indy tnd,Chris Tyler
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更新至第15集
魏哲鸣,郑合惠子,李俊贤,李歌洋,陈昊蓝,刘小北,张远,张沐兮,胡艺严,范湉湉,姬晨牧
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全30集
张雨绮,韩庚,章涛,王西,于欣禾,江易轩,吴玉芳,方晓莉,李天柱,顾艳,徐梓嘉,卢雅熙,孔梓柔,彭博,夏力薪,谢帅,荣蓉
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更新至22集
白宇,章若楠,林允,王彦霖,田雨,宋家腾,曹征,冯嘉怡,王劲松,刘冠麟,范湉湉,于震,张奕聪,丁勇岱,萨日娜,左小青,黄羿,胡可,马苏,英达,许文广,成泰燊,包贝尔,童蕾,曾黎,任重,林家川,刘金山,王小利,牛莉,孔琳,冯雷,吴启华,保剑锋,张喜前,崔奕,尚铁龙,袁满,杨一威,田岷,马书良,张磊,李传缨,范雷,李晓川,甘瑞琦,陶德燕,邓薇,王沛禄,任正斌,张瑞涵,李思博
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TC国语
沈腾,尹正,黄景瑜,张本煜,魏翔,沙溢,范丞丞,孙艺洲,段奕宏,张新成,胡先煦,李治廷,白宇帆,周政杰,高华阳,刘巴特尔,何澳,贾冰,王安宇,陈永胜,冯绍峰,郝瀚
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全35集
秋瓷炫,李彩桦,凌潇肃,郑逸桐,夏台凤,迟帅,涂黎曼,馨子,雷佳音,巴戈,张芝华,黄达亮,刘洁,朱佳煜
In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.